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More people join the group throughout the game, including art prodigy Yusuke Kitagawa, student council president Makoto Niijima , hikikomori computer hacker Futaba Sakura, and cultured corporate heiress Haru Okumura. Plot[ edit ] After the...
The protagonist meets Morgana, a cat-like being, who informs him of the ability to change wicked people's hearts by stealing their "Treasure", the emotional root of their behavior and desires, from the Palaces ruled by their Shadow selves. The...
However, the Phantom Thieves have long since anticipated Akechi's betrayal due to him hearing Morgana's voice long before he claimed to have first entered the Metaverse, [20] and manage to trick him into killing a cognitive replica of Joker, allowing the real Joker to fake his own death. After escaping into hiding with Sae's help, the Phantom Thieves deduce that the conspiracy's leader is politician Masayoshi Shido, who has been using Akechi's ability to infiltrate the Metaverse to remove obstacles on his path of becoming Prime Minister and imposing his reforms on Japan, as well as the one who framed and pressed assault charges against Joker. When the Phantom Thieves infiltrate Shido's Palace, they face Akechi, who reveals himself to be Shido's illegitimate son. He also reveals that he has been secretly plotting to exact his revenge on Shido for years of neglect and summons his true Persona: Loki.
Once defeated, Akechi sacrifices himself to protect the Phantom Thieves from a group of enemies, including a cognitive replica of himself, allowing them to escape, and ultimately defeat Shido. Despite Shido's arrest and confession after his change of heart, the public remains uninterested and has lost trust in both authority and the Phantom Thieves. Even worse, Shido's cronies are attempting to advance his agenda even without him, and have stonewalled Sae's case against him.
In response, the Phantom Thieves make a final heist to infiltrate the depths of Mementos, the Palace of everyone's hearts, and steal the Treasure at its core. Inside, they discover that the public is in chaos and has chosen to give up their autonomy, content in being controlled. The Phantom Thieves are then ejected from Mementos by the Treasure itself, taking form as the Holy Grail, and vanish after witnessing the Metaverse merge with reality. Caroline and Justine regain their memories and merge into Lavenza, their true form. Lavenza reveals the Igor that Joker has been seeing in the Velvet Room up until this point is Yaldabaoth , the God of Control, who imprisoned the real Igor.
Yaldabaoth, also revealed to be the Holy Grail itself, was created from humanity's collective wish to give up control and be free from their own suffering of their choices, and through a bet made with Igor over humanity's goals, Yaldabaoth had given Joker and Akechi their abilities to see whether the world would be preserved or be destroyed through their actions, all while steering the game in his favor. Joker rejects Yaldabaoth's offer to return the world at the cost of his freedom, and he, along with the rest of the Phantom Thieves, fight him. Joker's confidants rally the popular support of the people, rebelling against Yaldabaoth's control of humanity and allowing Joker to awaken his ultimate persona, Satanael , to destroy Yaldabaoth and, consequently, the Metaverse as well.
After Yaldabaoth's defeat, in order for Shido to be prosecuted, Joker must turn himself into the police. While Joker is incarcerated, the rest of the Phantom Thieves and his confidants successfully help secure evidence of Joker's innocence in the assault charge, leading to his conviction being overturned. By spring, Joker's friends drive him back to his hometown. Royal[ edit ] In Persona 5 Royal, two new characters interact with the Phantom Thieves: Kasumi Yoshizawa, an accomplished rhythmic gymnast who transferred to Shujin at the same time as Joker, and Takuto Maruki, a school counselor hired after Kamoshida is exposed.
Kasumi awakens to her Persona after calling Joker to a new Palace in Odaiba. Maruki, in turn, talks to each of the Phantom Thieves, learning their deepest wishes. Should Maruki's Confidant be completed, normal gameplay will continue into January rather than ending on Christmas Eve, and a new arc surrounding the ruler of the Palace Kasumi discovered will commence. After defeating Yaldabaoth, Akechi turns himself over to Sae in Joker's place. At the beginning of the following year, Joker finds reality distorted; Akechi was released without reason, and each Phantom Thief has had their deepest wish granted. Joker, Akechi, and Kasumi investigate the Palace in Odaiba and learn that its owner is Maruki, who is also a Persona-user and has the ability to alter one's cognition, known as 'actualization'.
Through Yaldabaoth's influence and leftover power, Maruki also controls Mementos, having usurped it from the Phantom Thieves after they confessed their desires to him during their counseling sessions. Maruki reveals that "Kasumi" is her younger twin sister Sumire, impersonating her to cope with her death which she believes she caused, and gives Joker time to choose whether to accept his idealized reality. Joker reminds the Phantom Thieves of their real lives, and after being forced to destroy Sumire's Persona to rescue her from Maruki, they agree to change Maruki's heart. During the first proper infiltration into Maruki's Palace, Sumire reawakens her Persona and joins the Phantom Thieves under the codename Violet. In the beginning of February, Joker learns from Maruki that Akechi was brought back to reality out of Joker's desire to save him after sacrificing himself in Shido's Palace and that whether he continues to live depends on Joker accepting Maruki's world.
Development[ edit ] The game was developed by P-Studio, an internal development studio within Atlus dedicated to handling the Persona series. Preparatory development began in following the release of Persona 4 , with full development beginning following the release of Catherine in Persona 5 would be Hashino's last game in the series as the leader of P-Studio, as he would afterwards form a separate internal team called Studio Zero. During full production, this number expanded to 70 with 15 planners, 15 programmers, and between 30 and 45 designers.
These included the game's lead designer Naoya Maeda, who had previously done modeling work for the Trauma Center series. The general development was a challenge for the team, as they intentionally changed their development structure due to the more powerful hardware they were working with. This idea was ultimately scrapped, but real-time command elements were introduced into the battle system, allowing the gameplay to evolve without extensive changes to the core system. This was done to better emulate the game's themes and provide veteran players with something different.
As it was considered a key part of the overall franchise by fans, Hashino decided to reintroduce it after being absent from the previous two mainline entries. The Negotiation system for Persona 5 was tied into the origins of Shadows as suppressed psyches within the Collective Unconscious. The "Hold Up" function was inspired by scenes in films where the antagonist would hold people at gunpoint and make demands. These functions were incorporated due to the game being in part a celebration of the series' history. Dungeon layout was split into three distinct types: the Tokyo overworld environments, "institutions" such as Joker's high school, and dungeon environments. Hashino believed that the new engine would make rendering their ideas much easier, although it would result in a long wait by fans for the game.
The tools for developing and handling them were greatly expanded over the previous two entries so as to better utilize the more advanced hardware. With this in mind, the team did some trial and error before finding a style that satisfied them, doing something similar for the interface and menu design. Two different models were used for members of the main cast: a detailed model for real-time cutscenes, and a general-use model for general event scenes and gameplay. The series' recurring motif of "masks" was used more overtly in the game's plot than previous entries as well, [41] and the game's main locations were based heavily on their real-world counterparts. The characters have been described as "juvenile academics," [40] with their activities as thieves being part of the way they break from societal norms and express themselves. Adhering with this concept, the game's main aim was to show the characters finding the courage to go outside the normal limits of society as set by previous generations.
The relation to police activities was also carried over from Persona 4, but this time with the role of protagonists and antagonists reversed. This was intended to create moral ambiguity about the Phantom Thieves' actions, causing the player to question their concept of justice and their mission as a whole. Its styling presentation was an unintentional reflection on the hurdles the team needed to overcome during development. This presented challenges as Soejima needed to balance this with a strong sense of style.
Joker needed to both convey a taste of the game's overall art style and to act as an avatar for the player. As the main theme and narrative of Persona 5 revolved around crime and vigilantes triggered by Joker voluntarily choosing that path, Soejima needed to convey this while allowing the character to suit whatever dialogue choices the player decided upon. Due to these difficulties, Joker was given multiple designs in a trial and error process to find the best one. As with previous entries, the protagonist is a silent character, so Soejima had to work out a way Joker could communicate without dialogue. His solution was to imagine him as the type of person who made plans but did not share them with others.
Once the names were chosen, Soejima designed the Personas based on that character. Early UI designs were so "aggressively animated" that it obscured what was happening in the game. As a result, the animations were toned down and text orientation was altered, toning down the UI's graphical elements to present a balance between user-friendliness and style. G and Domerica, and were directed and supervised by Toshiyuki Kono. Faced with the project, Kono felt a great deal of pressure in his role.
Persona 5 was the first time Production I. G had worked on the series, though many staff at the studio were fans. Despite this, the studio did not change their standard animation process, focusing on characters as they had done for many of their previous projects. The most important part of the cutscenes was getting the character's expressions right, particularly when it came to the general-mute protagonist. The game's animated opening sequence was directed by Sayo Yamamoto. The blue flame effects related to the Persona were not created with CGI, but hand-drawn by the animators. All the anime cutscenes together were estimated to consist of over an hour of footage.
Instead of the opening and ending themes being conglomerates of the overall score, he described the entire score as a single continuous work. A recurring musical element was described as a " do-la " syllable; the opening uses "so la re mi" on strings as a hook, which then leads into the "do-la" syllable for other tracks, including the normal battle theme.
While he was creating the music, Meguro received positive comments from Hashino when he made early tracks created for an internal demo. During a Sony press conference in September , it was announced that the game would also be released for the PlayStation 4 and that it had been delayed into According to director Katsura Hashino, the game was delayed to fully develop for the PlayStation 4, and improve the general quality of the game for both versions. The song used in the first gameplay trailer is an instrumental version of the main theme. Shortly after, a special livestream was announced titled Take Tokyo Tower, which would coincide with the countdown date.
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